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You hope your lovers will provide that wall. Three: “The world today does not make sense, so why should I paint pictures that do?”įour: “When you throw a ball you hope the ball will reach the wall and bounce back so you can throw it again. Two: “We can send a satellite into outer space, walk on the bottom of the ocean, but painting remains painting because it escapes these investigations.” One:“There has never been another child like you.” The Public Sneers.Each of the tableaux has a point.
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Concerned Citizen on Sheriff Plans Show of Force, and Threatens Appeal to Governor, Over Budget Stalemate With County.Embarrassed for Flagler County again on School Board’s Jill Woolbright Says She’s in ‘Satanic Warfare’ Against ‘Evil Spirits’ at School District.
![picasso the reader picasso the reader](https://news.artnet.com/app/news-upload/2015/05/Picasso-buste-de-femme.jpg)
Shaking head in dismay on DeSantis Would Expand Teaching Corps to Retired Cops and Firefighters.
PICASSO THE READER SERIES
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Perhaps for lack of enough entries, the show includes a few pieces that, while compelling in themselves, don’t necessarily have a connection to Picasso (at least not in the direct sense of the term, though some artists will argue that, like Homer with literature, there is no such thing as art that, since the turn of the last century, doesn’t have a connection to Picasso). Maybe more might have had the word gone out to the two local high schools, where there’s no lack of energetic attempts at taking on old and more modern traditions. The show is a bit uneven and surprisingly sparse for a dare so rich in possibilities.
PICASSO THE READER SKIN
Ingram’s guitarist preserves Picasso’s shapes but displaces the blue to background and to the guitarist’s skin lighter shades while brightening up his clothes in greens and yellows and turning the guitar into a balalaika. Francis Ward decided to take Picasso’s “Violin and Grapes” and translate it to “Guitar and Dog.” Michael Ingram’s “For Old Long Time” is a more literal reproduction (or re-orientation) of Picasso’s “Old Guitarist,” from his blue rather than cubist period. Norma Salt entered an acrylic pun of her own with “Picasso’s Cat–El Gato,” the cat’s head managing to look more devious than the mice scurrying behind it, the black cat itself sitting primly on a parquet of red cubes.